The Duke of Snow and Apples by Elizabeth Vail (Entangled: Select, August 26, 2014) – The only think I didn’t like about this book was the cover – what is up with her hair?
I honestly did not know what to expect when approaching The Duke of Snow and Apples by debut author Elizabeth Vail. The reviews I had read were overwhelmingly positive on Goodreads, but some readers voiced criticisms over the heroine’s entitled behavior at the start of the novel or the intricate but unexplained fantasy elements of the magic of the noble class.
What novel were these people reading?
This is one of the best fantasy romances I’ve read in years, blending many familiar elements of historical romance (strict social class boundaries, etiquette conventions that cannot be broken without dire repercussions and delicious historical costumes) with seamless layers of magic as part and parcel of this world. Vail pulls off her world building with aplomb, doling out place names, magical social strata and even different time conventions effortlessly, never once info-dumping on the reader or having a character launch into a tedious explanation of history. Thank you!
Charlotte Erlwood is grateful for the chance to not only visit her estranged aunt but to escape the humiliation and betrayal that awaits her at home. Her beautiful older sister became engaged to the man courting Charlotte and the world is obnoxiously cheerful despite how awful Charlotte feels. When her relative sends a ridiculously handsome and serene footman, Charlotte’s wicked side can’t help but bean him with the apple that was supposed to be her snack. His mischievous reaction is the first time her heart lightens in days and the perfect start to her friendship with Freddy, who her aunt assigns to wait upon her during her stay.
Charlotte’s shot of an apple to Freddy’s head is like the blooming of color in a life he covered with frost. (Public domain image via Pixabay)
Frederick is content in his position of footman in this noble house, having honed his serenity and aloofness after a decade of brutal practice. He fled his home and title as a teen after wreaking havoc with his magical gifts which can not only sense but leech emotion. He’s astonished that the lovely and animated Charlotte, whose sadness and bravery he can see emanating from her in a rainbow of color, becomes a stifled and boring miss in the company of others. Determined to help her fulfill her potential, he manipulates circumstances into revealing the vibrant woman he sees during the day. Yet as time goes on, his friendship with her becomes something much more, awakening all the emotions he’s suppressed, her magic bringing his own to the fore. When his past not only smacks him in the face with the arrival of his stepfather, but he witnesses friends and acquaintances beginning to become “gray” (their inner selves leached of emotion), Frederick must decide whether to face his past or leave everyone, including Charlotte, behind once more.
Charlotte melts the ice encasing Frederick’s heart and mind, allowing them both to reach their potential as individuals, both emotionally and magically. (Public domain image via Pixabay)
Charlotte easily could be seen as spoiled and entitled, but the fact that Frederick sees her emotions allows him to see past her mannerisms to the true person underneath, a device which fleshes her out immediately as a three-dimensional and empathetic character. Charlotte didn’t love her suitor, it’s the perceived betrayal by her older sister that has her dreadfully hurt and bent on winning a proposal from someone just as good if not better. That she still is capable of seeing Freddy as a man and a person – and indeed from the first her magic mirrors his, allowing her to see his loneliness and pain – demonstrates her good qualities, as does Frederick’s need to bring her out of her shell and gain confidence. The layers of conflict – Frederick’s very serious struggle with his magic, the evil villain (who inspired my only frustration as I yelled at the book, “Think, Frederick, THINK about the magic!”), the sister tension, and naturally how the romance would someone resolve itself – made this a masterwork I’m going to reread just to figure out how Vail managed to pull it off.
The emotional roller-coaster is on tilt-a-whirl in this story, as Frederick’s refusal to return to his title prevents any future with Charlotte, yet they can’t keep away from one another. When his secret is outed the danger increases rather decreases, culminating in a rip-snorting ending that had me turning the pages and refusing to make dinner (thank you, my Chinese takeout was delicious). Vail’s ability to keep me on the edge of my seat reminded me a little of Kathryne Kennedy, but devoid of the bogged down detail Kennedy can descend into. Mary Robinette Kowal’s magical Glamourist Histories Regency novels or Patricia C. Wrede’s Cecilia & Kate books are probably close in tone although with less focus on the romance than The Duke of Snow and Apples. The best part is that this deliciously hefty volume is fantasy sized at 351 paged but priced currently at $.99 thanks to Entangled’s intro pricing.
Will there be other books set in this world? I cannot wait to read more of this author and encourage anyone who loves fantasy and romance to pick it up and enjoy the magic created by Elizabeth Vail.
Happy reading!
torimacallister 
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